Category: Blog

Carolyn Bessette-Kennedy – a style icon then and now

In the quarter-century since her passing on July 16, 1999, interest in Carolyn Bessette-Kennedy’s life and style has undergone a renaissance, on the internet and in two new books – Elizabeth Beller’s “Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy” and Sunita Kumar Nair’s “CBK: Carolyn Bessette-Kennedy, A Life in Fashion.” “CBK” copyright Abrams. “Once Upon a Time” jacket design by Claire Sullivan and jacket photograph by Penske Media/Getty Images.

One of today’s most prominent fashion influencers has actually been gone from us 25 years. 

Carolyn Bessette-Kennedy, a Calvin Klein publicist; her husband, publisher John F. Kennedy Jr.; and her sister, Morgan Stanley executive Lauren Bessette, were just in their 30s when the plane he was piloting crashed off the coast of Martha’s Vineyard on July 16, 1999.

In the years since they slipped beneath the rolling darkness on that hazy July night, there have been annual remembrances and the occasional memoir, including the poignant “What Remains” (Scribner, 2005) by Carole Radziwill, Bessette-Kennedy’s close friend and the wife of JFK Jr.’s cousin and best friend, Anthony Radziwill.

But nothing compares to the explosion of interest in Bessette-Kennedy this year, with two new books – Elizabeth Beller’s laudatory “Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy” (Gallery Books, $29.99, 329 pages) and Sunita Kumar Nair’s elegant, elegiac  “CBK: Carolyn Bessette-Kennedy, A Life in Fashion” (Abrams, $65, 255 pages). 

Meanwhile, on the internet, Bessette-Kennedy has been reborn as a quiet-luxury icon for the digital age. The classic minimalism of Calvin Klein and of her own style helped – white shirts, black pants, beige corduroys, a variety of LBDs (little black dresses). (Her simple, scoop-necked, sleeveless sheath of a wedding dress by designer-friend Narciso Rodriquez is captured in “CBK” by Denis Reggie’s famed photograph of the groom gallantly kissing the bride’s hand as they left the church but also in two sparkling pastel and white paintings by Mark Tennant.) 

The Bessette-Kennedy aesthetic was also part of a minimalist fashion strategy:  Buy few pieces but buy expensive. If you can’t have expensive, wear black. Choose other neutral colors as well – gray, navy and white. Favor texture over prints. Save pops of color for coats and Vineyard sarongs. Keep accessories, hair and makeup simple.

It was an approach to fashion that was not without its irony, and perhaps its disingenuousness, for Bessette-Kennedy honed “her uniform,” as Beller writes, so that she wouldn’t stand out in the glare of the detested paparazzi. Far from making her recede, however, it would brand her in the spotlight – then and now.

Bessette-Kennedy’s fashion sensibility would also crystallize the gulf between the way the press and public saw her and the way she apparently was. She was portrayed as an ice princess. But Beller describes the White Plains-born Bessette-Kennedy, who grew up in Greenwich, as a lively girl in an Italian-French Canadian family that had a strong work ethic. She went to Catholic school; liked people, particularly those who were vulnerable in some way; and always seemed to have a job. (One of the jokes was that while JFK Jr. and Anthony Radziwill were paling around on Aristotle Onassis’ Scorpios as teens, their future wives were working in Caldor’s discount department store – something JFK Jr. always marveled at.)

After St. Mary’s High School in Greenwich, Bessette-Kennedy studied education at Boston University but wound up working as a saleswoman at a Calvin Klein boutique in Beantown, where she was discovered, came to Calvin Klein in Manhattan – working with high-profile clients and rising to director of show productions – and met JFK Jr. “CBK” captures those heady, sunset days in images of the couple at events or strolling the streets of a pre-9/11 New York in what should’ve been theirs and the city’s happily ever after.

We know what happened. The world moved on to obsess over other luminaries. But an icon never dies. She just acquires a new meaning. So, too, Bessette-Kennedy, whose style has become an understated beacon for a new generation searching for a look to hold onto in uncertain times.

Tags:  Carolyn Bessette-Kennedy, John F. Kennedy Jr., Lauren Bessette, Calvin Klein, Morgan Stanley, Greenwich, White Plains, St. Mary’s High School, New York City, the 1990s, Denis Reggie, Narciso Rodriguez, Carole Radziwill, Anthony Radziwill, Caldor, “What Remains,” Elizabeth Beller, “Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” Sunita Kumar Nair, “CBK: Carolyn Bessette-Kennedy, A Life in Fashion”

The garden in fashion comes to life in The Met Costume Institute show

Robe à la française, British, 1740s. Photograph © Nick Knight, 2024. Images courtesy of The Metropolitan Museum of Art.

“Sleeping Beauties:  Fashion Reawakening,” at The Metropolitan Museum of Art’s Costume Institute through Sept. 2, is an exhibit with two, often competing themes. The first is the fragility of fashion, seen through garments that lie in state like the fairy-tale princess and are designed to be reawakened through the sensory experiences the exhibit provides.

The second, related theme is the influence of the garden on fashion, with the cyclical nature of the garden as a metaphor for the vulnerability of clothing, culture and indeed all life. (That aspect of the show – along with The Met Gala held on the first Monday in May, as The Costume Institute Gala always is – was inspired by J.G. Ballard’s short story “The Garden of Time.”)

Hat, Jasper Conran and Philip Treacy, 1992. Photograph © Nick Knight, 2024. Images courtesy of The Metropolitan Museum of Art.

The viewer wanders through crowded, serpentine, one-way galleries, straining to look at objects, listen to related narration, sniff walls with tubes that contain the scents of garment molecules and touch fabric samples – the only scent not involved is taste – all while trying to read label copy that for the most part is confined to the bottom of display cases. So exhibitgoers will be entirely forgiven for abandoning the layered upon layered Sleeping Beauty theme and instead feasting on historical designs that capture the lush history of the garden in fashion, beginning with an elegant, florally embroidered 17th-century British waistcoat and equally elegant, florally embroidered 18th-century robes à la française and à la anglaise. 

“May” ball gown, Christian Dior for House of Dior, spring/summer 1953. Photograph © Nick Knight, 2024. Images courtesy of The Metropolitan Museum of Art.

Some 200 years later, Christian Dior would introduce the postwar New Look, feminine and flirty and well-represented in the show by the strapless, cinch-waist, belted “May” ball gown, with its cascading purplish red clovers and greenery, from the designer’s spring/summer 1953 “Tulipe” line. It’s one of many swoon-worthy objects in a show that includes the “Irises” jacket from Yves Saint Laurent’s spring/summer 1988 collection, inspired by an 1889 Vincent van Gogh painting; a light red, glazed silk chiffon 1992 Jasper Conran/Philip Tracy hat with black coq feathers, burned and stripped into the form of a poppy; and a pair of 1955 Charles James butterfly gowns, form-fitting, strapless affairs with trains, made of cream silk satin overlaid with brown silk chiffon and light brown nylon tulle, brown silk satin and polychrome nylon tulle.

The exhibit ends with its showstopper – the 1930 gown designed by Callot Soeurs for New York socialite Natalie Potter’s wedding to financier William Conkling Ladd. The sleek gown – made of a blend of silk and cellulose acetate, an inexpensive alternative to silk – had an over-blouse that originally had a cluster of white artificial carnations falling over the left hip.

“Butterfly” ball gown, Charles James, circa 1955. Photograph © Nick Knight, 2024. Images courtesy of The Metropolitan Museum of Art.

Like the Broadway shows and movies of the period, the gown flew in the face of the Great Depression, with a theatrical, cathedral-length train featuring interlocking scallops that evoked ocean waves and the concentric circles of seashells. In the exhibit, that train fans out down a staircase. 

In such moments, “Sleeping Beauties” truly reawakens. 

Tags:  The Metropolitan Museum of Art, The Costume Institute, Natalie Potter, William Conkling Ladd, Callot Soeurs, Charles James, Jasper Conran, Philip Tracy, J.G. Ballard, “The Garden of Time,” Christian Dior, robe à la anglaise, robe à la française,

Embrace  Elegance: Frederick Anderson‘s Exquisite Designs are now at Mary Jane Denzer.

By Nicole Steinthal
Influencer/Social Media Strategist/Radio Show Host at NS Lifestyles

The Allure of Frederick Anderson:

Frederick Anderson is renowned for his keen eye for detail and his ability to blend classic styles with his signature distinctly feminine edge. Anderson’s designs exude sophistication and an unmistakable sense of refinement.  

Anderson’s designs also embody a commitment to sustainability and ethical practices. His attention to detail extends to the choice of materials, ensuring that each garment is not just a fashion statement but a conscious choice for those who appreciate the finer things in life.

Co-Owners Anastasia Cucinella and Debra OShea first discovered Anderson’s designs in Paris. They immediately felt their sophisticated clientele would appreciate his timeless creations and purchased his clothes to complement their other A-List designers.

They invite you to see Frederick Anderson’s beautiful collection, in store now.

Mary Jane Denzer Elevates Style with Rodarte: A Parisian Affair

By Nicole Steinthal
Influencer/Social Media Strategist/Radio Show Host at NS Lifestyles

In the world of high fashion, the name Mary Jane Denzer is synonymous with timeless elegance and a keen eye for the extraordinary. The renowned luxury fashion retailer, has once again set the bar high by adding the illustrious designer Rodarte to its curated collection. The latest acquisition comes as a result of Co-Owner’s Anastasia Cucinella and Debra Oshea’s recent buying trip to the fashion capital of the world—Paris.

Rodarte, founded by sisters Kate and Laura Mulleavy, has consistently captivated the fashion world with its ethereal designs and avant-garde sensibilities. Known for pushing the boundaries of conventional fashion, Rodarte’s pieces are a perfect blend of artistry and craftsmanship. The partners recognized the unique allure of Rodarte’s creations and made the decision to bring this exceptional designer into the fold at Mary Jane Denzer.

The duo’s buying trip was a carefully curated journey through the epicenter of global fashion trends. Paris, with its rich history and cultural influence, serves as an incubator for some of the most visionary designers in the world. It’s a city where art and fashion seamlessly intertwine, and their discerning eye was drawn to Rodarte’s innovative and daring aesthetic.

The addition of Rodarte to Mary Jane Denzer’s lineup is a testament to the retailer’s commitment to offering clients a diverse and avant-garde selection. Whether it’s a red-carpet event or an intimate gathering, Mary Jane Denzer aims to provide patrons with the opportunity to express their individuality through the artistry of fashion.

As fashion enthusiasts eagerly await the unveiling of Rodarte’s collection at Mary Jane Denzer, it’s clear that this Parisian affair will set the stage for a new era of sartorial excellence. The fusion of Rodarte’s distinctive designs and Mary Jane Denzer’s legacy of luxury promises an unrivaled shopping experience for those who seek to make a statement with their style.In the ever-evolving landscape of high-end fashion, Mary Jane Denzer continues to shine as a beacon of sophistication and innovation. With Rodarte now gracing its racks, the luxury retailer invites fashion aficionados to embark on a journey of self-expression through the artful lens of one of Paris’s most coveted designers. 

You are invited to visit us at our beautiful store at the Ritz Carlton in White Plains.

Sculpted Fashion

This one-shoulder fitted gown in patterned jacquard fabric from Peter Langner’s 2024 Evening Collection, draped and with a slit in the skirt, captures the designer’s sculpted, architectural sensibility and eye for color and pattern. Courtesy Peter Langner.

Just how talented is German-born, Milan-based designer Peter Langner?

He had no sooner begun his studies at the École de la Chambre Syndicale de la Couture Parisienne in Paris than the school’s director asked the 24 year old to design her daughter’s wedding dress as well as what she would wear for the occasion.

It was a harbinger of things to come, as his bridal brand is a striking presence in 20 countries across Europe, Asia and North America. His uniquely beautiful evening wear caught our eye at Mary Jane Denzer as well. Specifically– the sculpted, architectural way Langner drapes sustainable fabrics, so that lines are always fluid and dynamic. Details are elegant flourishes, nothing is ever overwrought. 

The pink and yellow abstract floral gown above, crystallizes every aspect of the Langner aesthetic, as the jacquard fabric zigs left from one shoulder then zags right to the drapery and slit. Langner honed these skills in the houses of Christian Dior, Emanuel Ungaro, Guy LaRoche and Christian Lacroix.  In 1991, Langner went out on his own, opening an atelier in Rome. In 2015, he relocated his team to Milan, where they currently execute and sell his designs. 

He is quick to note that nothing he has accomplished happens without a team that works with suppliers, seeks new materials and techniques and makes its own embroideries.

“One of my greatest fortunes,” he says at peterlangner.com, “was finding my amazing staff. They believed and saw where I wanted to go. They stood and still stand next to me beyond benefits and compensation. The passion we share is for sure the greatest help I could ever find.”

Peter Langner has an eveningwear trunk show at Mary Jane Denzer – 7 Renaissance Square in White Plains — Feb. 16 through 24. 914-328-0330 

Tags: Peter Langner, Mary Jane Denzer, Chambre Syndicale de la Couture Parisienne, Paris, Germany, Rome, Milan, Christian Dior, Emanuel Ungaro, Guy LaRoche, Christian Lacroix, drapery, embroidery, handkerchief bow, sky palette, minis, ruffles, high-low, jacquard, mikado,